意大利酒馆LA GOCCIA太古里店，成都

一飲而盡 | Drink all

當你走進這裡，所有的夢與想，都被允許，歡樂或憂愁，我們一飲而盡。這次的項目是以正宗意大利菜和產自威尼斯的Prosecco起泡酒為賣點的時尚酒館——“ La Goccia ”，La Goccia為意大利語“一飲而盡”的意思。整個項目設計師通過觀感、觸覺、聽覺及消費感受向消費者傳達“新式小酒文化”、“自由的混搭感”以及“自由搭隨便耍”等耍家文化概念來凸顯成都本土與國際相融的城市特點。

▼項目概覽，overview

When you walk into this pub, all your dreams and thoughts are allowed, and your joy or sorrow will be exhausted. This project is a fashion pub called “La Goccia” featuredwith authentic Italian dishes and Prosecco sparkling wines from Venice. La Goccia means “ drink” in Italian. For the whole project, the designer conveys the concept of “new-style small wine culture”, “free mix and match” and “freedom to play casually” to the consumers through the perception, touch, hearing and consumption feelings to highlight that Chengdu has integrated into internationality.

▼側門入口，entrance

“引”橋 Leader

項目位於成都中心太古里商圈，緊鄰量子光電競場和滑板廣場，是一個年輕、時尚、充滿活力的社區活動中心，然而這個片區類似案例已有不少，那麼如何確立好自己獨特的IP呢？設計師試圖從威尼斯與成都的淵源入手，13世紀馬可·波羅見到成都水上繁榮之景象，恍然以為見到“東方威尼斯”。這一點，單單從地名就能如實反映，《華陽國志》記載：“蜀江眾，多作橋，故蜀立裡多以橋名。

Located in the Taikooli business district of Chengdu, close to Quantum Optoelectronics and Skateboard Plaza, this project is located in a young, fashionable and vibrant community activity center. There are many similar cases in this area, so how to establish your own unique IP? The designer tried to start from the origins betwen Venice and Chengdu. When Marco Polo saw the prosperous waters scene of Chengdu in the 13th century, he thought he saw “Venice of the East.” This can be accurately reflected from the place name alone. “Huayang Guozhi” once recorded: “Sichua have many bridges, so the place in Sichua are often named after multiple bridges.

▼店鋪外觀，exterior view of the store

▼入口處的獅頭是威尼斯的標誌，the lion is the symbol of Venice

於是，設計師從東西方不同特點的橋樑中，去尋找共鳴點，並從中抽離出了最基本的構成語言——“拱”。無論是翡冷翠的Vecchio,還是威尼斯的里阿爾托，或者是中國的盧溝橋，“拱”是他們共有的特點。除此之外，項目中也大量運用了威尼斯的元素來為該店添加特色。獅子是威尼斯的標誌，設計師選用藝術裝置來抽象的表達，入口處的獅頭便是用切片的方式，將導光板插入牆面，形成藝術裝置。

Therefore, the designer searched for resonance points from Eastern and the Western bridges with different characteristics and extracted the most basic formation language – “arch”. Whether the Vecchio, or the Rialto in Venice, or the Lugou Bridge in China, the “arch” is the common feature. In addition, the project also uses a lot of elements from Venice to add features to the store. The lion is the symbol of Venice. The designer chooses the artistic device to express it in an abstract way. The lion at the entrance is a sliced way to insert the light guide plate into the wall to form an artistic device.

▼入口吧台及散座區，scattered dinning area and the bar

▼散座區，scattered dinning area

▼入口吧台，the bar at the entrance

▼中島吧台，the Nakajima bar

▼酒櫃細部，details

“造”塔 | “Building” tower

整個項目面積約380㎡，分為上下兩層，一樓以意餐為主，樓上則更側重於酒吧。原始建築空間，一樓的平面進深很淺，設計師試圖將吧台置於中間，結果發現，實現不了中島的格局。糾結中，發現一個驚喜，南側外牆後面有一個可利用的空間，於是設計師把外牆向南移動了兩米多，增加了二十幾平米的面積，中島吧台的格局也成立了。

▼剖面圖，section

The entire project area is about 380m2, and the store has two floors. The first floor is dominated by Italian food, while second first floor focuses on the bar. With the original building space, the plane on the first floor has shallow features. The designer tried to put the bar in the middle, and he found that the pattern of Nakajima could not be realized. In the entanglement, he found that there is a space available behind the south side of the outer wall, so the designer moved the outer wall more than two meters to the south, a increased area of​​ twenty square meters occurred, the layout of the Nakajima bar was also established.

▼移動南側外牆形成中島吧台以及南側散座區，moved the outer wall to the south and increased area of​​ twenty square meters

▼座椅及吊燈細部，details of the furniture

▼樓梯，staircase

北側是外擺區，為了讓空間的進深更有層次，設計師將北側的開啟面盡可能的做大，室內外的界面模糊化處理。再加上地面材質一體化的延伸，外擺區三米多的尺度也納入一體化的空間視覺感受裡。因此，原本局促的空間延伸得到了極大的改善。為了打破在豎向空間上的限制，設計師對二層樓板進行了開鑿，形成了天井，並把吧台背後的酒架，直接衝上二層，形成了十四層擁有七米高的酒塔。在平面佈局上，酒塔是由兩個“L”型和中間一個“T”型所組成的圍合結構。因此，室內空間形成了三座有立體感的高塔，氣勢感十足。

The north side is the outer swing area. In order to make the space more layered, the designer enlarges the opening surface on the north side as much as possible, and he also blurs the interface between indoor and outdoor. Coupled with the extended ground material integration, the outer pendulum area with more than three meters in length is also included in the integrated spatial visual experience. As a result, the space extension that was originally cramped has been greatly improved. In order to break the limitation in the vertical space, the designer excavated the two-story floor to form a patio, and moved the wine rack behind the bar directly to the second floor, forming a four-story, seven-meter-high wine tower. In the planar layout, the wine tower is a closed structure consisting of two “L” shapes and a middle “T” shape. Therefore, the interior space has formed three high-rise towers with a sense of three-dimensionality.

▼二層卡座，seating area at the 2nd floor

▼家具細部，details

▼外擺區，the outer seating area

▼桌椅細部，details

“借”竹 | “Introducing” bamboo

竹是四川的特產，而藉景則是中國古典園林常用的手法，兩者看似跟意大利餐吧沒多大關係，不過意外的驚喜總是會被用心的人發現。當拿起酒杯，或敬朝陽或敬月光，寒窗外的竹影可不僅僅溫柔了你我，逆風飛翔的也不僅僅是東西方的設計差異。然而設計它也不僅僅局限於室內，這和外部的環境也緊密相關，設計師發現酒吧南側牆外是茂密的竹林，對設計師而言，這幾乎是撿來的寶貝。於是設計師在南側外擴的牆體上留了一排高窗，並聽取燈光顧問的建議，在竹下加一排光源，於是，神來之筆應運而生。竹影的生成讓空間變的靈動富有生機，形成了在空間進深軸線上的第六道，也是最後一道景觀。

Bamboo is a specialty of Sichuan, and introducing scenery is a common method used in Chinese classical gardens. The introducing scenery and bamboo seem to have little to do with Italian restaurants, but unexpected surprises are always discovered by people who are careful. When you pick up the glass, you can respect the sun or the moonlight. The bamboo shadow outside the window is not only gentle to you, but also the design difference between East and West. However, the design is not limited to indoors, which is closely related to the external environment. The designer found that there is a dense bamboo forest in the south side of the bar . For the designer,it is almost a cherished treasure. So the designer left a row of high windows on the wall outside the south side , and he listened to the lighting consultant to add a row of light sources under the bamboo. Therefore, inspiration becomes a reality. The generated bamboo shadows makes the space become more dynamic and full of vitality, f orming the sixth landscape on the axis of the space,which is the last landscape.

▼南側外擴的牆體上留了一排高窗，在竹下加一排光源，a row of high windows on the wall outside the south side, and a row of light sources under the bamboo

▼一層平面圖，first floor plan

▼二層平面圖，second floor plan

項目名稱：LA GOCCIA
設計公司：成都萬謙集環境藝術設計有限公司
空間設計：汪宏 郭楠
軟裝設計：許冬梅
照明設計：阿特露祺&歐末照明
項目設計時間：2018年7月
項目完工時間：2019年6月
項目地點：中國 成都 太古里
項目面積：380㎡
主要材料：水磨石 黃銅 鏡面不銹鋼 藝術塗料
空間攝影：形在建築空間攝影 賀川

Project name: LA GOCCIA
Design company: Chengdu Wanqianji Environmental Art Design Co., Ltd.
Space design: Wang Hong, Guo Nan
Soft design: Xu Dongmei
Lighting design: Artemis, Ou Mo Lighting
Project design time: July 2018
Project completion time: June 2019
Project location: Taigu Li, Chengdu, China
Project area: 380m2
Main materials: terrazzo, brass, mirror stainless steel, art paint
Space photography: Hechuan, a space photographer of Xingzai construction co., ltd.

More：Chengdu Wan Qian Ji Environmental Art and Design www.zoscape.com