广场

玫瑰广场 Piazza Rosa / Studio Fink

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Studio Fink：临时的Piazza Rosa项目位于意大利贝加莫的Piazza Vecchia(旧广场)，这是一个文艺复兴时期的广场，勒柯布西耶称其为“欧洲最美丽的广场”。广场建于20世纪，是当时这座中世纪城镇的社会和政治中心，后来被17世纪的圆形防御墙所包围。作为文艺复兴时期城镇的一颗明珠，广场被丰富多样的历史建筑环绕着，如市政厅、理性宫、大教堂、圣玛丽亚·马格乔治教堂和Colleoni教堂。如今广场是老城区艺术和文化生活的焦点，吸引了很多人聚集于此，而主要的经济和商业活动则位于防御墙之外。

Studio Fink：The location of the temporary Piazza Rosa project is Piazza Vecchia ( Old Square ) in Bergamo Italy a Renaissance square, that Le Corbusier called “ the most beautiful square in Europe”. The square was planned and built in the XVth century as the social and political centre a hilltop medieval town later surrounded by 17th-century cyclopic defensive walls. As a jewel of a renaissance town the square is enriched and surrounded by remarkable historical architecture such as the Palazzo del Comune, Palazzo della Ragione, the Cathedral, St. Maria Maggiore and the Colleoni Chapel. Today the square is a focus of the artistic and cultural life in the predominantly pedestrianized Old City whilst the main economic and business activity is located outside the defensive walls.

玫瑰广场 Piazza Rosa / Studio Fink-筑图-建筑景观素材,LUMION模型,方案文本,CAD施工图,SU模型下载 — ©Leonardo Tagliabue

这个项目的主要目的是创造一个发人深思的平台，吸引公众关注到场所创造和当代景观设计的重要性和其意义。这个历史空间的临时改造可以明显的看出它对所有年龄段的人都有不可抗拒的吸引力，在广场存在的16天时间里，无论白天还是黑夜，都吸引了近25万人到这里休憩游玩。

The main aim of the project was to create a thought provoking platform drawing public attention to the positive importance and implications of place making and contemporary landscaping ideas. The temporary transformation of a major historical space on this scale has proved an irresistible attraction to people of all ages drawing close to quarter million people into the square over sixteen days of its existence during day and night time.

罗莎广场设计的目的是与当代概念和艺术进行对话，同时结合“治愈”景观和社会环境可持续的主题。在概念层面上，设计旨在通过对我们感官的创造性探索，大胆地运用色彩、形状、气味和种植的纹理来更新艺术和景观设计之间的关系。各种各样的草本植物和药用植物、树木和灌木都是按照健康绿色的标准来选择的。

该广场也成功地为当地人、外人和游客提供了一个双重平台，是一个积极的、引人注意的新空间，其经济交流和社会互动性得到了显著的增长。

The Piazza Rosa design aimed at a dialogue of contrasts with a strong contemporary conceptual and artistic emphasis whilst bearing in mind the theme of healing landscape and social/environmental sustainability. On a conceptual level the design aimed to renew the relationship between art and landscape design through a creative exploration of our senses, a bold use of colour, shapes, smells, and texture of planting. The wide variety of herbal and medicinal plants, trees and shrubs were chosen following the criterion of healing and well-being.

As a new space it successfully also provided a dual platform for local people, outsiders and tourists. This was also experienced as a positive and noticeable rise in the economic exchange and social interactions in the surrounding Old Town.