贝尔维尤酒店 / Rusanov ured

Rusanov ured：貝爾維尤酒店始建於1967年，由克羅地亞著名的建築師Zdravko Bregovac設計。酒店是按照當時業主的需求建造裝修的，但現在已經不符合新業主的想法了，新的業主認為這裡是一個休閒度假的專屬場所。該酒店的改造和擴建於2013年秋季開始，改建後可以提高酒店在空間容量和設備方面的服務質量。貝爾維尤酒店在非常緊迫的期限內經歷了徹底的改造，所有項目和工程僅在短短7個月的時間內便完成了。

Rusanov ured: The original hotel Bellevue was built in 1967 based on the design of a distinguished Croatian architect Zdravko Bregovac. The hotel was built and furnished in accordance with the demands of the time, but it did not fit into the concept of the new owner who perceived it as an exclusive place for relaxation and vacations. The reconstruction and the extension of the existing hotel were started in the fall of 2013, with the aim of improving the standard of the service with regard to the spatial capacities and the equipment. The Bellevue Hotel experienced a thorough change within a very tight deadline; all projects and works were completed in the period of mere seven months.

▼項目鳥瞰 Aerial

一條寬闊的石頭階梯強調了通向大海的酒店主軸，階梯一路向下延伸到Čikat海灣的海濱長廊，在酒店的另一側，新的寬大捲翹的屋簷突出了入口區域。酒店主要的公共設施就位於入口層：接待處、大堂、商店、一間分為三部分的會議廳（最多可容納360個座位）、兩個較小的會議廳、一個酒吧和三個面積不同的餐廳。由於上層的部分房間已經被拆除，所以大堂和酒吧有兩層樓的層高，這使空間更加寬敞舒適的同時也增強了遊客對酒店縱向的感知。

The emphasis on the main axis of the hotel which leads to the sea has been additionally supported by the construction of a wide stone access staircase descending to the coastal promenade of Čikat Bay. On the other side of the hotel, the entrance is emphasized by a new spacious and voluminous eaves. The main public facilities of the hotel are located at the entrance level: the reception, the lobby, stores, a three-part congress hall (with the maximum capacity of 360 seats), two smaller meeting halls, a lounge bar and three restaurants of different sizes. Some of the rooms on the first floor have been torn down so the two-storey areas were created in the lobby and the lounge bar, which evokes the feeling of spaciousness, as well as enhances the perception of the vertical axis of the hotel.

▼寬大捲翹的屋簷突出了入口區域 The entrance is emphasized by a new spacious and voluminous eaves.

酒店裡圍繞中庭的基礎空間被保留了下來，玻璃走廊使這個空間得以延伸，夏天的時候可以完全打開，這樣中庭區域就成了一個有頂篷遮蓋並且兩側開敞的空間。走廊和中庭露台的地板採用柚木鋪成，用以裝飾的柚木家具上鋪著柔軟的墊子。中庭空間裡除了現有的松樹，還種植了橘子、檸檬、葡萄柚樹以及其他的本土植物。酒店的立面造型中引入了新的建築元素，體現在表皮的白色、橫向百葉窗的應用以及百葉窗創造出的表面的動態韻律。

The basic spatial concept of the hotel, one shaped around the central atrium has been preserved. It has been extended by the construction of a glazed passage which can be fully opened during the summer months, thus becoming a covered atrium area. The floors of the passage and the atrium terraces have been plated in teak wood and furnished in teak furniture covered with soft cushions. Next to the existing pine trees, orange, lemon and grapefruit trees have been planted in the atrium, as well as other indigenous plants. The new architectural elements introduced in the shaping of the façade are the expressed whiteness of the surfaces and the use of the horizo​​ntal brise-soleil system and shutters to create a dynamic rhythm of the surface.

▼玻璃走廊使空間得以延伸，夏天的時候可以完全打開，這樣中庭區域就成了一個有頂篷遮蓋並且兩側開敞的空間 The space shaped around the central atrium has been extended by the construction of a glazed passage which can be fully opened during the summer months, thus becoming a covered atrium area.

在公共區域的設計中，設計目的是要為每個獨立空間賦予不同的身份。大堂地板鋪設水磨石磚，餐廳和休息室鋪設大塊的啞光橡木拼花地板，會議室則舖有地毯。大廳裡的柱子是用波斯石灰華包裹的，接待處和牆壁則選用了印度蘋果貼面，接待區的部分牆壁和兩層以上的休息室牆壁材料採用的是複合石材，由馬達加斯加的菊石和化石複合而成。餐廳的牆壁覆層來自於橡木和胡桃木貼面，同時也有用到人造皮革材料。所有的配套設施和家具都是高品質的優秀設計，大都出自生產商Poliform、Porada、Poltrona Frau、Cassina、Roda等。

In the process of designing public areas, the aim was to create a separate identity for each of the individual wholes. The lobby area floors are covered with terrazzo tiles, the restaurant and the lounge area with matt oak parquet of large dimensions, while the congress and meeting facilities are carpeted. The columns in the lobby have been cladded in Persian travertine, while the reception counter and wall claddings have been done in Indian Apple Veneer. Composite stone consisting of ammonite and fossilized tree from Madagascar has been used for the lining of the wall of a part of the reception area and the wall of the lounge bar which extends over two storeys. Wall claddings of the restaurant have been finished in oak and walnut veneer and the wall claddings in artificial leather should also be mentioned. All equipment and furniture is of high quality and excellent design (by producers such as Poliform, Porada, Poltrona Frau, Cassina, Roda ).

酒店的顏色是溫暖而自然的，主色調從沙色到巧克力棕色、橙色和黃色，衛生間舖有來自各個高端家具品牌商的大理石材。大堂、餐廳和泳池入口區有展出畫家Tomislav Buntak的藝術作品，各區域的獨特氛圍都得到了最大化地呈現。露台沿著西南立面一直延伸，包括用餐區和休閒區。

The colours are warm and natural, ranging from the dominant colour of sand to chocolate brown, orange and yellow. Sanitary facilities have been coated in slabs of Portoro, Rosso Lepanto, Paonazzo, Rosso Alicante and Arabescato Orobico Rosso marble. The works of painter Tomislav Buntak, which have been exhibited in the lobby, the restaurant and the entrance area of​​ the pool, greatly contribute to the unique atmosphere of respective areas. The terrace, which stretches along the southwest façade, includes the dining areas or areas for rest or relaxation with a drink.

▼大堂展出的畫家Tomislav Buntak的藝術作品 The works of painter Tomislav Buntak, which have been exhibited in the lobby, the restaurant and the entrance area of​​ the pool.

入口層以下的空間包括游泳池、健身療養室和水療所。室內游泳池的牆壁上貼著馬賽克瓷磚畫，畫面上有趣的運動人物激發了游泳者花樣戲水的想法，這些藝術品由Valentina Butumljević、Damjan Roce和Klara Rusan創作。室內游泳池上方覆蓋著一個玻璃穹頂，泳池邊配有白色躺椅和桌子以及有機設計產品——由Paola Lenti生產的舒適沙發，純白潔淨和充足的自然光是室內泳池區的特點。

The storey located below the entrance level includes the pool facilities, fitness and wellness, as well as a Spa clinic. The walls of the interior pool are covered with the painting done in mosaic tiles. The playful figure in movement encourages the idea of​​ having fun in the water. The authors of the art pieces are Valentina Butumljević, Damjan Roce and Klara Rusan. The interior pool is protected by a glazed dome and the area is furnished with white deck chairs and tables, alongside with comfortable sofas of organic design (produced by Paola Lenti). The area is characterized by the colour white and the richness of natural light.

▼室內游泳池的牆壁上貼著馬賽克瓷磚畫，畫面上有趣的運動人物激發了游泳者花樣戲水的想法 The playful figure in movement encourages the idea of​​ having fun in the water.

▼室內游泳池上方覆蓋著一個玻璃穹頂 The interior pool is protected by a glazed dome.

室外泳池和日光浴場直接與室內泳池相連，跌水連接了被分為兩層的不規則室外泳池。日光浴場就位於泳池旁邊，其高度與泳池能夠完美契合。這個區域同樣配有白色躺椅、桌子和舒適的柚木沙發。日光浴場的下層有一個泳池酒吧，整個浴場配備有可移動的頂篷和可調節的遮陽傘。

The outdoor pool and its sunbathing area are directly connected with the interior pool. The irregular shape of the outdoor pool has been divided into two levels which are connected by a waterfall. The height of the sunbathing area along the pool follows the logic of the pool itself. The area is furnished with white deck chairs with tables and comfortable sofas of teak wood. The lower level of the sunbathing area contains a pool bar. The sunbathing areas are covered by mobile canopies and adjustable parasols.

健身區包括瑜伽、普拉提健身室和配有健身器材的健身房，一個寬闊的交流區連接了水療所和健身區，圓頂可以提供自然照明，同時也嵌入了用作空間序列元素的大型玻璃缸。水療區一共有兩個部分，美容區配有不同的設施來為住客提供美容療法、按摩和放鬆項目。該片區被設計成一個敞亮的地帶，所以地板選用了白色水磨石，隔牆選用了明亮的縞瑪瑙石材，空間的純淨和通透感通過分隔區域的幕簾而得到強調。水療中心的深色色調與美容區的白色色調形成了對比，含有一系列的淋浴、芬蘭桑拿浴室（一個高達90℃，另一個高達120℃）、土耳其浴室、溫水浴間和放鬆區。地板是深色的水磨石，牆壁貼面是深紅色馬賽克瓷磚，隔斷牆是深色的縞瑪瑙石材。康養室前的戶外區域是經過規劃設計的，配有水療按摩浴缸、躺椅和按摩區，支持健身活動在戶外開展。該區的另一邊是室外芬蘭桑拿浴室，有一個冷水池和水療浴缸。

The fitness area includes the workout hall (Yoga, Pilates) and the gym with exercise equipment. The spa clinic and the fitness area are connected by a wide communication area with natural lighting provided by a line of roof domes. The domes also house big aquariums which are used as elements of spatial sequences. The spa zone consists of two parts; the beauty zone with different facilities which provide beauty treatments, as well as massages and relaxation programmes. The zone was envisioned as a very bright area, which is why white terrazzo was selected for the floor and bright onyx for partition walls. The whiteness and transparency are emphasized by flapping curtains dividing the area. The dark colour of the Spa is in contrast with the whiteness of the zone and includes a line of showers, Finnish sauna (one up to 90°C, the other up to 120°C), Turkish bath, Tepidarium pool with cold water and the relax zone. The dark terazzo is used for the floors; the walls have been cladded with dark red mosaic tiles and the partition onyx walls are in dark tones. The outdoor area in front of the wellness is planned so that the activities can also be done in the exterior; hydromassage bath tubs, deck chairs and massage areas are situated in the exterior area. On the other side of the area there is the exterior Finnish sauna with a cold pool and a hydromassage bath tub.

▼整個空間是敞亮的，隔牆選用了明亮的縞瑪瑙石材製成 The zone was envisioned as a very bright area, which is why white terrazzo was selected for the floor and bright onyx for partition walls.

在保留下來的一樓和二樓，為了適應當代有關客房大小的標準，設計師減少了客房單元的數量。客房區的高度是已經設定好的，所以層高相對較低，客房單元沿著外緣佈置，走廊則圍合中庭。所有新設計的客房都帶有鋪著柚木地板的寬敞露台，其中一部分還配有水療浴缸。

On the first and the second floors which have been preserved, the number of accommodation units has been reduced in order to meet the contemporary standards regarding the size of the hotel room. The height of the areas has also already been set so the area is relatively low. The two added floors were devised and executed in a way that the accommodation units follow the exterior rim, while the hallway follows the rim of the atrium. All newly designed accommodation units have spacious covered terraces cladded with teak boards. Some accommodation units contain hydromassage bath tubs.

▼-1層平面 Floor -1 Plan

▼一層平面 Ground Floor Plan

▼二層平面 First Floor Plan

▼三層平面 Third Floor Plan

▼四層平面 Fourth Floor Plan

▼剖面圖 Sections

▼立面圖 Elevations

項目名稱：貝爾維尤酒店
建築事務所：Rusanov ured
項目設計師：Andrija Rusan & autorska grupa: Jasminka Rusan, Nikolina Mikuličić, Tihomir Knezić
合作者：Janko Kralj, Petra Franić, Bruno Krunić, Lana Petrak, Lana Trobentar, Isabel Moreno Moreno, Mateja Nosil.
酒店客房-建築設計：Amira Čaušević and authorial group Tatjana Bilek Žurić, Ljerka Kabelka, Nataša Škarić

完成年份：2014年
總建築面積：35 000m²
項目地點：克羅地亞小洛希尼

照片來源：Damir Fabijanić, Hrvoje Serdar, Borko Vukosav, Senja Vild

Project name: Hotel Bellevue
Architectural firm: Rusanov ured
Authors: Andrija Rusan & autorska grupa: Jasminka Rusan, Nikolina Mikuličić, Tihomir Knezić
Authorial collaboration: Janko Kralj, Petra Franić, Bruno Krunić, Lana Petrak, Lana Trobentar, Isabel Moreno Moreno, Mateja Nosil. Hotel rooms – architecture and design: Amira Čaušević and authorial group Tatjana Bilek Žurić, Ljerka Kabelka, Nataša Škarić

Completion year: 2014
Gross built area: 35 000 m²
Project location: Mali Lošinj, Croatia

Photo credits: Damir Fabijanić, Hrvoje Sedlar, Borko Vukosav, Senja Vild

更多  Read more about: Rusanov ured