罗德岛大学双曲面装置亭 / MARC FORNES / THEVERYMANY
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MARC FORNES / THEVERYMANY：当THEVERYMANY再次亮相新项目时，可以肯定在它的发展过程中，它采取了更多的伪装。HYPARBOLE也不例外：它是专注研究、经过无数个模型推敲的结果。我们在罗德岛大学艺术中心赢得的2013年当代公共艺术项目竞赛参赛作品更新了20世纪计算生产方式下的结构实验。在这里，我们将4-12厘米混凝土换成了仅3毫米厚的铝。
MARC FORNES / THEVERYMANY：When THEVERYMANY debut a new project in its final form, you can be sure that it has assumed many more guises over the course of its development. HYPARBOLE is no exception: it is the elegant outcome of focused research, countless models, and sometimes multiple prototypes. Our winning 2013 competition entry for this contemporary public art project at the Rhode Island College Fine Arts Center updates 20th-century structural experimentation within the contemporary paradigm of computational production. Here, we take Candela’s 4-12 centimeters of concrete to just 3 millimeters of aluminum.
学校是一个探索学习的地方，为HYPARBOLE提供了一个合适的场所，该装置建立在多年的研究基础之上，并彰显着结构、形式和经验在材料运用中的相互统一。HYPARBOLE的绿色曲线成为了创意实践的门户，在艺术中心的入口处，亭子为参观人员、教师和校园游客提供一处休憩之地，为他们带来振奋之感。装置的焦点在这个焦点22英尺高的地方，它的着力点在三个混凝土基础上。
The College, a site of experimentation and discovery, makes an appropriate home for HYPARBOLE. This structure builds on several years of research and further develops the studio’s efforts to unify structure, form and experience into coherent material systems. In a burst of green curves, HYPARBOLE stands delicately and confidently as a gateway to creative practice. At the entrance to the Fine Arts Center, the pavilion ushers studio-goers, faculty and campus visitors alike toward inspiration and action. Its oculus ascends to an imposing height of 22′ at this focal point, making it a force majeure touching down on only three concrete bases.
©Images by THEVERYMANY
为了节约建设成本和建造时间，MARC FORNES / THEVERYMANY参考了有效的几何理论设计了表面拓扑结构。以巨大混凝土外壳的抗重力前提出发，设计了一个双曲线几何装置，在结构，美学和经济上发挥作用。该装置的建造方法是将钢筋混凝土换成标志性的铝板，并使用大量的材料进行疏解，设计师通过研究开发强化了这种设计，既不会损害结构，形式方面也不会影响质量。
To rise to this height under parameters that minimize fabrication costs and assembly time, MARC FORNES / THEVERYMANY designed a surface topology based on an efficient geometric reference. In the gravity-defying presence of Felix Candela’s monumental concrete shells, we proceed from his premise that a hyperbolic geometry could be designed to perform structurally, aesthetically, and economically. Our treatment would exchange his reinforced concrete for our signature single-surface in aluminum, disbanding with an abundance of material in the process. Through development, we reinforce the idea that designing for this kind of fabrication would compromise neither structure, form, nor efficiency.
©Images by THEVERYMANY
装置表面的图案切割基于模拟力流的法则，通过花丝过滤出的光线气氛会不断改变装置的质量：它会根据一天中的时间、方向、轨迹、高度和速度对人产生不同的影响。这种光的发挥不仅使得表面具有动态变化，而且还具有引人入胜的空间互动感，并且成为公共广场的一个聚焦点。
Patterned cuts in the hypar surface follow simulated force flows. Scripted agents intuitively crawl along these lines and eat away at the aluminum, like caterpillars to a leaf. The atmosphere of light filtering through this filigree constantly changes the quality of the piece: it will strike you differently depending on the time of day, your orientation, trajectory, height, and speed. This play of light not only makes for a dynamically changing surface but an engaging and interactive space, and a highly charged focal point for the public plaza.
装置亭承担了多个角色：它是一件艺术作品、标志性构筑物和罗德岛大学的视觉标识，也是罗德岛大学和罗德岛州立艺术委员会委托建造的永久装置。
The project takes on several roles: an art piece, an iconic structure, and a visual identity for Rhode Island College, also is a permanent structure commissioned by Rhode Island College and the Rhode Island State Council of the Arts through the Allocation for Art for Public Facilities Act.
▼夜景灯光效果 Lighting effects
地点: 美国罗德岛州
类别: 装置艺术
设计: MARC FORNES / THEVERYMANY
完成时间: 2017
材料: 涂漆铝
尺寸: 22 ‘ H×25 ‘ W×30 ‘ D
零件数量: 582
委托人: 罗德岛大学和罗德岛州艺术委员会
Location: Providence, Rhode Island
Design: MARC FORNES / THEVERYMANY
Completed: 2017
Media: Painted Aluminum
Dimensions: 22′ H x 25′ W x 30’ D
Number of Parts: 582
Commissioned by: Rhode Island College and the Rhode Island State Council of the Arts through the Allocation for Art for Public Facilities Act
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